Biblical Performance Criticism

Orality, Memory, Translation, Rhetoric, Discourse, Drama

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Saturday, February 25, 2017

SBL/AAR 2012 - Chicago, IL

17-21 November 2012

Sessions relevant to Performance Criticism:

Saturday 17 November

S17-111 Hebrew Bible, History, and Archaeology (9-11:30a, E263 - McCormick Place)

S17-122 Performance Criticism of Biblical and Other Ancient Texts (9-11:30am, N136 - McCormick Place)

S17-137 Writing/Reading Jeremiah (9-11:30am, W476 - McCormick Place)

S17-203 Applied Linguistics for Biblical Languges (1-3:30pm, W475a - McCormick Place)

S17-236 Performance Criticism of Biblical and Other Ancient Texts (1-3:30pm, S104a - McCormick Place)

S17-312 Formation of Luke-Acts (4-6:30pm, N137 - McCormick Place)

Sunday 18 November 2012

S18-107 Bible in Ancient and Modern Media (9-11:30am, S404bc - McCormick Place)

S18-135 Orality, Textuality, and the Formation of the Hebrew Bible (9-11:30am, S405b - McCormick Place)

S18-226 Homiletics and Biblical Studies (1-3:30pm, E260 - McCormick Place)

S18-241 Qumran (1-3:30pm, S402a - McCormick Place)

S18-242 Religious Experience in Early Judaism and Early Christianity (1-3:30pm, E261 - McCormick Place)

S18-303 Bible in Ancient and Modern Media (4-6:30pm, W179b - McCormick Place)

Monday 19 November 2012

S19-110 Bible in Ancient and Modern Media (9-11:30am, W187c - McCormick Place)

S19-112 Biblical Law (9-11:30am, S101a - McCormick Place)

S19-122 History and Literature of Early Rabbinic Judaism (9-11:30am, W181a - McCormick Place)S19-138 Pseudepigrapha (9-11:30am, E264 - McCormick Place)

S19-137 Theological Perspectives on the Book of Ezekiel (9-11:30am, N129 - McCormick Place)

S19-206 Bible in Ancient and Modern Media (1-3:30pm, W180 - McCormick Place)

S19-332a Sensory Perception in the Bible and Early Judaism and Christianity (4-6:30pm, S103d - McCormick Place)

S19-333 Social Scientific Criticism of the New Testament (4-6:30pm - McCormick Place)

S19-402 Bible in Ancient and Modern Media (7:30-9:30pm, Chicago Theological Seminary 1407 E 60th St)

Our Purpose

  • To promote Performance Criticism
  • To report developments in this emerging discipline
  • To be a clearinghouse for resources
  • To provide a network for scholars and performers

 

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