Performance Criticism
- What is Performance Criticism?
- Assumptions, Applications, Assessment by Ernst Wendland
- Preparing to Perform by Phil Ruge-Jones
- Performing Philemon, Galatians, James by David Rhoads
Login
Our Purpose
- To promote Performance Criticism
- To report developments in this emerging discipline
- To be a clearinghouse for resources
- To provide a network for scholars and performers
About Us
This Website is affiliated with: |
| directed by: This email address is being protected from spambots. You need JavaScript enabled to view it. Professor of New Testament |
|
administrated by:
This email address is being protected from spambots. You need JavaScript enabled to view it.
This email address is being protected from spambots. You need JavaScript enabled to view it.
and
This email address is being protected from spambots. You need JavaScript enabled to view it.
|
| Please send your submissions and suggestions to: This email address is being protected from spambots. You need JavaScript enabled to view it. . |
|
|
Translation as Creative Process Conference
April 12-15, 2012
University of North Carolina-Chapel Hill
Performance and Embodied Research Colloquium is co-sponsoring the Translation as Creative Process Conference, April 12-15, 2012 in collaboration with Adam Versenyi and University of North Carolina at Chapel Hill’s Department of Dramatic Art and Joseph Megel and The Process Series (also housed at UNC-CH.
The Conference will be organized following the “Open Space” model in which there are no prepared papers or presentations, but every person attending can propose a topic for discussion. Further information will be provided on the first day of the conference. In addition to these “Open Space” session there will be open rehearsals, and nightly performances and post-performance discussions with the performers, translators/adapters of the plays.
- Huddersfield by Uglješa Šajtinac (translated by Duška Radosavljevic, adapted by Caridad Svich),
- Vengeance Can Wait by Yukiko Motoya (translated by Kyoko Yoshida and Andy Bragen),
- The Ballad of the Pine Tree Killer by Rebekka Kricheldorf (translated by Neil Blackadder), and
- Apocolypse Tomorrow by Richard Monti (translated by Jean Graham-Jones).