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Biblical Performance CriticismOrality, Rhetoric, Memory, Delivery, Translation, Drama

Performance Criticism

  • What is Performance Criticism?
  • Biblical Performance Criticism: Survey and Prospects by Peter Perry
  • Biblical Performance Criticism Book Series
  • Orality, Print Culture and Biblical Interpretation Video by Eugene Botha
  •   pdf Assumptions, Applications, Assessment(449 KB) by Ernst Wendland
  • Preparing to Perform by Phil Ruge-Jones
  • Performing Philemon, Galatians, James by David Rhoads

A Glossary of BPC Words on Facebook

Follow us on Twitter: @BibPerformCrit

Our Purpose

  • To promote Performance Criticism
  • To report developments in this emerging discipline
  • To be a clearinghouse for resources
  • To provide a network for scholars and performers

 

About Us

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  • Gospels
  • Goodacre

Mark Goodacre

April 2026 at Loyola University Chicago

What's the most important recent development in Gospel studies?

https://www.youtube.com/shorts/cFpGr_zOoO4

  • Translation
  • Multimodality
  • Maxey

Expanding Approaches to Bible Translation

Multimodal Perspectives

Edited by James A. Maxey

(Cascade, 2025)

Maxey Expanding ApproachesThe assertion in this book is that translation is as fundamental to biblical material as performance--both in its history as well as in its research approaches. Translation in this sense is more than a transferal of meaning from one linguistic system to another. Bible translation highlights innovative connections and conceptions to biblical texts, in their promulgation, reception, and ever-changing nature. A predominant theory used throughout this book is social semiotic multimodality. This communication theory informs an approach to translation that expands beyond words to other semiotic resources. Sign Language, embodied performance, social media, theater, materiality, and many other types of multimodal communications inform translation. It is important to understand that the Bible is a translated experience. Translation reflects the various ways in which the Bible has been mediated and appropriated throughout history. It follows, therefore, that Bible translation, as a global activity, has been and continues to be influenced by the political and economic flows of history. Race, class, ethnicity, gender, sexual orientation, and other elements of our social locations directly influence the enterprise and results of Bible translation.

  • Rhoads
  • Revelation
  • EBR

The Revelation of St John

Performed by David Rhoads

SBL 1998

Special thanks to the Endowment for Biblical Research (EBR), Boston, for permission to present the recording here. This presentation was given as part of the "Frontiers in Biblical Research" lecture series sponsored by the EBR. For more information, see ebrboston.org.

  • SBL 2025

Report from SBL 2025 in Boston

November 22-25, 2025

Performance Criticism of the Bible and Other Ancient Texts

BostonCC

Biblical Performance Criticism: What Is It? How to Do It? Where Is It Going?
Sunday Nov 23 1-3:30pm

  1. Looking at Bible Performance Criticism from a Social-Semiotic Perspective
    Marlon Winedt, United Bible Societies
    https://vimeo.com/1140804796
  2. Biblical Performance in a Multi-church, Multi-user, Single Translation Context
    Mark Penner, United Bible Societies
    https://vimeo.com/1141166579
  3. Visual Resources and Persuasion: The Performance of a Pauline Letter in Dominican Sign Language
    Isela Trujillo, United Bible Societies
    https://vimeo.com/1141322597
  4. Your Great Learning Is Driving You Insane! Between Paralysis and Praxis in BPC
    Zach Eberhart, Point University
    https://vimeo.com/1141324286

Translation and Linguistic Issues in Apocalyptic Literature in Ancient Hebrew and Aramaic (with Linguistics of Biblical Hebrew)
Sunday Nov 23 4-6:30pm

  1. Movement, Spirit, and Prophetic Communication
    Fausto Liriano, United Bible Societies
    https://vimeo.com/1141568710
  2. The Masoretic Text as Performance
    Aaron Douglas Hornkohl, University of Cambridge
    https://vimeo.com/1141550657

Embodiment and Cultural Memory: Performance of Rev 13–14 (with John's Apocalypse)
Tuesday Nov 25 9-11:30am

  1. English Performance of Rev 13-14
    U-Wen Low, University of Birmingham
    https://vimeo.com/1141572755
  2. Spanish Performance of Rev 13-14
    Isela Trujillo, United Bible Societies
    https://vimeo.com/1141574262
  3. Japanese Sign Language Performance of Rev 13-14
    Facilitated by Mark Penner, United Bible Societies
    https://vimeo.com/1141575958
  4. Responses by Megan Wines, Tina Pippin, and Travis West
    https://vimeo.com/1141640240

What's New

  • Mark Goodacre on Ancient Media
  • Call for Papers: SBL Annual Meeting in Denver
  • Call for Papers: SBL International in Adelaide
  • Planning for SBL 2025
  • Report from SBL 2025

Featured Links

  • Network of Biblical Storytellers
  • Oral Tradition Journal
  • GoTell Communications
  • Didaskalia
  • KoineGreek.com

Recent Books

  • Maxey-Expanding Approaches to Translation
  • Eberhart-Between Script and Scripture
  • van Veen-Oral Performance and the Veil of Text
  • Rodriguez-The First Christian Letters
  • Elder-Gospel Media

Upcoming Events

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© Biblical Performance Criticism 2016 - 2026
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